You’re the most recognised and internationally praised superhero, but you don’t fight any crime. Instead, you use your powers over stone and metal to repair the damage caused by the catastrophic fights other heroes get into.
They didn’t call you a superhero when you started. You didn’t claim to be one, either.
You didn’t have a costume or a sponsor or training or anything like that. You were just a kid who had just seen your entire world knocked down. So, in a moment of childish determination and belief, you thought you could fix it all.
The first emergence of your powers wasn’t a huge triumphal moment. Moving stone and earth and steel doesn’t matter if you don’t know anything about how to stack things up so they don’t fall back over again.
Your first attempts crashed right back down again. That was your first lesson.
—
Even when you got good at what you did, they didn’t call you a superhero.
You still didn’t have a costume, but you’d gotten your hands on every architectural diagram you could and done plenty of practice. Then you started to show up to the aftermath of battles and put them quietly together again.
But it still wasn’t right. You couldn’t do much if you didn’t have the diagrams for the buildings demolished–if the city planners didn’t let you have them.
So you stitched together a costume, something bright and colorful that would grab the attention of the cameras on the scene afterward as you tried to work.
“Look! Someone’s putting those houses back together!”
The effect was instantaneous. The moment you’d grabbed public attention, there were requests for interviews, think pieces–each giving you a platform to ask for the help you needed.
This was your second lesson.
–
You didn’t call yourself a superhero, or come up with the name yourself. You were never really good about all of those things. But once the attention was on you, you got offers from managers and sponsors. One, a blonde with perfect hair who introduced herself as “just Sandy”
“I don’t have any money.”
“That’s alright,” she said, her grin showing spectacularly white teeth. “All I need is for you to take on some gigs and give me a cut.”
Sandy set you up. She got you the costume people would know you for, gave you the name, managed all of the PR and set up interviews. Your fame skyrocketed, and soon you were seeing yourself on billboards.
Soon you had access to hundreds of city plans and blueprints. After enough attacks happened, you learned them well enough to hardly need to reference them. After a few years, you could rebuild a tower in a matter of minutes, and cities in a matter of days.
Your powers evolved as your understanding did. Soon, you could read the entire layout of a building just from touching. Then, just from touching the ruins. You no longer need blueprints, then–just your own hands on the metal.
The gigs were simple, too–just fixing up hero bases after they’d gotten wrecked in attacks. Feel good work that paid well.
With the help of many people, you do more. That’s the third lesson.
—
The problems started with the homeless thing.
You were in between projects and itching to use your skills more. Creating homes for the homeless seemed like the perfect, feel good project to flex on.
It was, for the first few weeks. Then came the backlash. City dwellers crying foul, saying they hadn’t agreed to an enormous den of undesirables in their backyards. There were protests, white suburban moms holding up signs about drug dealers and rapists and criminals.
It wasn’t your choice in the end. Eventually the city mandated that you deconstruct your shelter, or they would do it the hard way.
Regretfully, you took it down. You did not look in the eyes of the people that had sheltered there as they had to go on their way.
It was the same story in every area you tried to build shelters in afterwards.
—
“Can we just buy the land to build them houses?” you asked Sandy.
She clicked her perfect teeth. “Sorry, there are laws against building new things in the city. You need mayoral approval to start a new construction project.”
“Why?”
“Well, there are already too many empty houses,” she said matter of factly.
You stared. “What? Then let’s just buy those and put people in them!”
“You don’t have that much money,” she pointed out. “Not when you’ve been giving it away every year. Also, it wouldn’t do as much good as you think. Just think of the effect on the market–”
This is not why you fired Sandy. But it was the first time you thought of it.
—
Opinion started to turn against you when you began using your interviews and platform to talk about this problem, to demand permission to build or otherwise help. Exasperation turned to hostility when you started to reshape the landscape to be softer to the unhoused, anyway–when you created caves in parks where people could easily shelter, or made every bench large and soft so that anyone could have a place to sleep.
Laws and ordinances passed, all regulating the amount of alterations one was allowed to make to public property. About how many changes you were allowed to make as you were reconstructing a city. The fines for altering things started to heap up.
Firing Sandy didn’t help. Your good reputation was always as much her work as yours, but after what she said about—you couldn’t.
You couldn’t.
You learned not to read the scathing opinion pieces on you. That was the hardest lesson yet.
—
Of course, shit really hit the fan when you were contracted to rebuild another base.
It was a simple enough decision for you. You found out they had been building drones and firing them on civilians. That at this base Techno has been building surveillance technology that would be able to monitor every single person in the country at every moment, and be able to fire upon them with impunity the moment suspicious activity was detected.
It made you rethink every base you had built in the past.
“No,” you told them.
“You already signed your contract–”
Instead of dignifying that with an answer, you transmuted the entire area into the rockiest, most impossible terrain you could. Every trick you had learned to make land easier to build on–you reversed it, turning what had once been the base into a precarious canyon of jagged, diamond-hard steel, nearly impossible to remove or build on.
“I said no.”
—
Stopping the construction of the stadium was the next kicker.
“You’re insane!” said the heroes who came to remove you.
“They evicted a hundred families for this!” you spat. “Those were people’s homes. It’s disgusting that it’s allowed for the government to do that–much less to do it for-for a stadium? For entertainment?”
And so you stood there for the next 48 hours, deconstructing every single thing they tried to put on their ill-gotten land.
Then, they sent the heroes to stop you. You were never the best at fighting, so they knocked you out quickly.
—
They don’t call you a superhero now. Behind bars, you glance over every thinkpiece and profile about the world’s most beloved hero fell. You read speculation about evil, greed, madness. All things you’ve heard about “villains” who came before you.
It makes you wonder about those people. If maybe you had misjudged them, too.
But that’s alright, you realize after the sting of it fades away. That was the second lesson, after all–more than anything, you need people to be talking. And for all the bitterness in these words, you realize grimly that people will never stop talking.
Once you’ve thought things through, you decide you’re ready. The steel of your cell melts away. After all, there is no prison that can contain you. No earth or stone or metal can withstand your will.
Your legacy as the world’s greatest supervillain begins with a left turn down the hallway, right to where the other villains are kept.
mary shelley: pours her heart and soul into the creature’s ability to eloquently express his deepest and most painful feelings to frankenstein through literal pages and pages of speech
modern media: makes the creature unable to utter anything but grunts and scary sounds
so women are supposed to grin and bear the books, the comics, the movies, the plays, the tv shows, the stories, the sci-fi, the translated ancient poems, the fucking millennia of men writing about their self inserts torturing women and it being declared as High Art by other men, we’re supposed to read it in our free time, study it in classrooms, include their styles in our own writing, accept their cultural influence as natural, watch it in the cinema, write about it, talk about it, accept it, aspire it, but men can’t tolerate three seconds of female wish fulfilment of a woman snapping the wrist of a creep without feeling personally kicked in the balls.
This reminds me of something I observed in college while I was doing my honors thesis on women in modern horror films. I watched a LOT of horror during that time as part of my research, and sometimes that was done with my family around.
And my dad and brothers? Were deeply disturbed by the movie Jennifer’s Body. I was flabbergasted. It’s not scary! It’s not even that gory. But they were horrified by it. These men who grew up on 70s slashers were legitimately shook by 90 minutes of Megan Fox eating a few teenage boys, mostly off-screen.
Similarly, my all-male reading panel for my thesis? Were so disturbed by my synopsis of the film Teeth that they couldn’t even talk about it. One of them said he couldn’t look at his wife for a week after reading it.
Again, grown-ass men who study and teach media for a living. Who definitely watch and enjoy horror movies. One of whom was a huge Tarantino buff. We watched and read worse in his intro to mass media class! But one movie about a girl whose vag could bite was enough to haunt him.
Then of course you have things like the Gone Girl backlash–men yelling that Amy Dunne is evil and women clamoring to assure everyone that they know she is not someone to emulate–the backlash against Carol Danvers, and, more recently, the griping from MRAs against the upcoming film Hustlers, which is about strippers scamming their Wall Street clients.
My conclusion? Most men–at least most straight, cisgender men, who are both my sample population and most of the ones whining that Carol is a “villain”–are perfectly fine with, and desensitized to, media where men do violence to women (horror movies), or men do violence to men (horror and action movies). They’re even sort of fine when women do violence to women (“ooooo cat fight!”).
But they get intensely uncomfortable when women are depicted doing any kind of violence to men, especially in films that tilt the balance of power to the other side of the m/f gender binary beyond a single moment or scene.
So woman as flesh-eating monster with men as her preferred cuisine? Woman who responds to unwanted sexual contact by biting it off? Woman who frames her cheating husband for murder? Woman whose response to harassment–behavior that many of the loudest whiners know is both creepy and reflective of their own thoughts/actions–is to break something?
Too scary. Unacceptable. Disturbing. These men hate being presented with the idea, even in fiction, that their position of power is socially constructed, that it could easily be flipped the other way. It terrifies them.
In feeling that terror, they experience a tiny modicum of what living, existing, moving, being perceived as a woman in the world is like.
Nichelle Nichols (Lt. Uhura) has been suffering from Dementia for years. She’s lots most of her money, the home she loved and there is a fight for her conservatorship
Her sister has set up a GoFundMe site for her. The link is at the very bottom of this post. Please share this information.
Read the article below and please donate if you can. Even a couple dollars will help.
Y’all went hard for Free Brittany over conservatorship now do the same for Nichelle
So I read the entire thing, and this one is slightly more complex than “dad is abusive conservator.” So I’m going to lay out here what’s going on:
1) Nichelle has dementia.
2) In 2010, this guy approached her all “hey so I want to make this movie with you as a costar, very good contract, please accept.”
3) she did.
4) he was lying.
5) during the next several years he moved onto her property and became a squatter, billing all his utilities and expenses to Nichelle. In other words, she’s paying for the privilege of him using her property.
6) during this time he also managed to get her to give him power of attorney over both financial AND MEDICAL decisions. Much of her savings has just kind of vanished, and it seems likely he’s been leeching it away.
Okay. So, recap: this guy is NOT a conservator. He got power of attorney, which is actually a very good and useful thing when appropriately applied. (Basically, it means if you become incapacitated you’ve already selected a person to handle certain kinds of affairs for you.) In this case, however, it’s pretty clear POA is being abused and seriously misused.
7) Nichelle’s son managed to become her conservator, with the goal of kicking the deadbeat off the property and ensuring his mom has access to her hard-earned funds so she can be old with dignity. (In a perfect world, this is how conservatorship would always be used. His interest is in protecting the person, not making a profit.) He has become her primary caretaker.
I don’t know how advanced Nichelle’s dementia is, but I can tell you from experience that as the disease progresses, being a caretaker can become a full-time job, and that, yes—this is one of those extremely limited cases where conservatorship might actually be a good idea. My grandmother had Alzheimer’s (not all dementia is caused by Alzheimer’s, but all cases of Alzheimer’s are dementia), and nearly burned down the house once because she turned on the stove, forgot she’d turned it on, and went to take a nap. Having someone of sound mind who can make arrangements for things like appropriate in-home care so this doesn’t happen is deeply important.
8) deadbeat is fighting to get conservatorship removed—and possibly reassigned to himself. That part is a little less clear. What is clear is that he does not have Nichelle’s best interests at heart.
9) this fundraiser is to help with legal fees to get deadbeat off the property and help assist Nichelle and her son in securing what’s left of her assets.
So just so we’re clear: in this case we are actually fighting FOR a conservatorship. However, this conservatorship is to protect someone with an actual medical diagnosis that means she has diminished mental capacity to care for herself (literally, that’s what dementia is: loss of memory and cognition on a scale significant enough to interfere with daily life), and to ensure that what is hers, REMAINS hers.
Reblogging this version for the commentary, since people seem to be unclear about the situation.
i think my ideal job is being paid 50$/hour to sit on the computer doing whatever i want at an empty rented office space for mysterious employers definitely running some kind of money laundering scheme and just needing me to keep up appearances of one of their shell companies but im not like, in on anything and no one can charge me for anything
